My new nonfiction book, Gentlemen Prefer Asians: Tales of Gay Indonesians and Green Card Marriages, is now available in paperback (through major online retailers, including Amazon’s Kindle).…
Source: Gentlemen Prefer Asians
My new nonfiction book, Gentlemen Prefer Asians: Tales of Gay Indonesians and Green Card Marriages, is now available in paperback (through major online retailers, including Amazon’s Kindle).…
Source: Gentlemen Prefer Asians
Look. Introverts aren’t special. Extroverts aren’t special. Unlike what Lena Dunham or Zooey Deschanel or Jennifer Lawrence are saying, not having good social skills or people skills isn’t cute or quirky. It’s sad and taxing.
One of my good friends in a French class in Jakarta confessed that she used to hate me because she thought I was distant and aloof. No. It was because I didn’t have any friends in class and I didn’t know how to strike a conversation. I was (still am, somewhat) afraid of rejection and so I never made the first move. No one befriended me, so I concentrated on learning and getting good grades. This was back in 2002. Fast forward thirteen years later and I still don’t know how to behave.
I just came home from a public discussion where only seven out of dozens of attendees were men, and I might be the only gay man there. A few weeks ago, there was a breach of trust in the Tribal belly dance community. It involved a very well-known festival in NorCal that was organized by a bellydancer (and her husband). All these times, almost everyone thought that the husband was an ally, someone who supported the belly dance community, which, let’s face it, is predominantly women (whether cis or trans). Apparently, the husband of the organizer had a secret group on Facebook. The secret group was originally made for DJs. It started with discussions about DJ stuff, then it escalated. The husband, and another man (who is apparently a photographer and a husband of another female bellydancer), had posted photographs of belly dance performers (men and women) and making not just highly inappropriate statements, but very sexist, misogynistic, humiliating comments about them. Even posting real names of the dancers.
For some, this may not be a big deal. “They’re men being men,” or, “It’s not like they’re really acting it out.”
If it’s a stranger, I’ll probably get it. I do not condone it, I will still say that the statement “men being men” is very reductive, but I’ll probably get it.
But those remarks came from men these dancers had trusted. Those remarks came from men these dancers had hugged and kissed and confided in and had heart-to-heart conversations with.
The dance festival that was supposed to be a safe space, a haven (not just for women, although mostly for women, because again, bellydancers are predominantly women), no longer became a safe space.
And there I was, in the back of a room somewhere in Los Angeles, in a discussion about the dance festival. I listened to women share their very private experiences and fears and triggers. I witnessed these women cry openly as they confronted their fears and let everyone in the room know the hurt and anguish they felt as old wounds were reopened by the recent dance festival debacle. They held each other. The comforted each other.
Some men talked too. Straight men who have bellydancer wife/girlfriend. Straight men who made sure that they would never behave like those two sexist husbands. Some men said that they would kick the asses of those nasty, sexist men, and other men yelled yeah they would too.
But where does that leave me?
I’m a gay male. I consider myself androgynous, but by all accounts, I’m still a cisgender male. I don’t want to cut off my penis or grow breasts. I don’t want to not have sexual organs because I love sex and I love having an orgasm.
I feel weird calling myself a man because I don’t identify with that word, because there’s a sense of masculinity that’s attached to it, and I’m neither masculine nor do I want to be.
I used to feel comfortable hugging females and women, including bellydancers, but now, with this breach of trust, I feel like I need to take a step back. I always try not to wander into a female changing room. I always prefer to change in the bathroom. Some welcomed me inside their changing room and they freely changed in front of me, but it still felt weird. Part of it was probably because I was raised with different values concerning nudity.
I never feel comfortable hugging males, or even striking a conversation with men, especially straight men, because I don’t want to give the impression that I want to have sex with them. I don’t have a lot of straight male friends because of that very reason. And the reason is because I grew up learning that many straight males are afraid of gay males because they think gay males are predators and will turn them gay. It is my own personal crusade to make sure that I don’t have sex with straight males.
One of the husbands of the bellydancer who were present in the community meeting (not the sexist husbands), did say that as men, we have a lot to learn.
I know I do.
I have never experienced true grief. Both my parents are still alive. Both my siblings are still alive. I’ve experienced grief when I lost my cats, and they meant a lot to me, but without being reductive to my own experience, I’m not an empath. I can never feel what other people feel. Everything that I’ve experienced, my sex, my gender, my race, my sexuality, my upbringing, my socioeconomic background, my genes, all of these contribute to my identity and how I process thoughts and emotions and memories.
I can never know what females feel. Even if I were raped, I would never know how female rape survivors feel, because I’m not a female. I can never know what straight males feel, because although I have a penis, I’m not attracted to females.
I am unique and so is everyone around me.
I have different threshold of tolerance, to pain, to suffering, to humiliation, to heartbreaks. I deal with my own traumas differently. I deal with my life differently. And so do other people.
What is okay to you may not be okay to another person. A female dancer may welcome me to change in her dressing room while she’s there, because she doesn’t see me as a threat, but another female dancer may object to that because she considers me a man, and I’ll be happy to leave.
I am not inconvenienced by whatever happened to the dance festival. I never felt attached to it. I don’t personally know the organizer or her husband, but I’ve read some of the vile remarks from the DJ group and they angered me. But again, I’m not one of the performers who were personally attacked in said DJ group.
But I’ve made a decision. This decision is good for now. I may change it next month or next year, since I’m constantly growing and learning and educating myself. I will make mistakes. I’m not being pessimistic. It’s just the reality.
My decision is: my being gay has nothing to do with this. I’m still a male (notice that I don’t use the gender-term “man”), but there’s a bigger, more pressing issue here. I know that I can be an ally to women, but I’d also like to acknowledge that everyone is unique. Which is why, from this day on, I will try not to generalize. I will try to remember what everyone’s preference is when it comes to fundamental things like boundaries. I’ll keep a rolodex in my brain to keep track of what you allow me to do or to say and to be respectful.
But my brain is small, and my memory can sometimes be wonky, so please bear with me if I keep making mistakes and repeating them (hopefully not too many times). And always, always, always, remind me when I’ve crossed the line. Do it gently, do it harshly, do it however you like, but remember that like you, I also have feelings.
Know that I will avoid you if I think you feel uncomfortable to be around me, or if I think you can never forgive me for what I’ve done. I will wait until you can forgive me, until we can have an awkward but warm talk, until you’re sure that you can trust me again. That’s how I salvage a relationship, by giving time and space.
But I’m not selfless.
Know also that you and I have the right to shut each other out, if it needs to come to that, and it’s fine, because we both can survive without each other.
“I’m pursuing an MFA degree in creative writing. Yeah, I’m going straight to the poor house.”
I used that line every time I was on a first date, because apparently, having an MFA degree, no wait, two MFA degrees in creative writing doesn’t mean I’m creative. The men I went out with would generally respond by saying, “Oh, that’s not true,” or, “At least you’re following your dreams.”
Yes. I always dream to be poor.
Back when I was in school, though, my cohorts and I would commiserate on the writers job market. Right now, I’m used to hearing things like journalism is dead (thanks, Huffington Post), the job market sucks (it always has and always will be), and a degree in fine arts is a total waste of time (it definitely is not).
Yet here I am, scouring website after website for job ads that are related to my official training (writing) and unofficial training (photography). 90% of the ads are always non-paying internships, non-paying writing gigs, or non-paying photography gigs, all promising exposure and a possible career in the company. Six percent of the ads offer minimum wage ($9 for California). Two percent of the ads are spam. One percent of the ads offer almost reasonable compensation. Only one percent of the ads are legitimate and obviously I never hear from them after applying.
I saw an ad on Craigslist for a photographer for a party hosted by an organization. The poster wanted experienced/student photographer, and promised a chance to network. The ad included the organization’s website, and I learned that the organization was founded by big names in the medical/pharmaceutical industries.
They earn millions and millions of dollars and they don’t want to spare some to pay the photographers? Even student photographers?
That’s how terrible it is for those in the arts industry. And I understand if the reason is because art is subjective. There are some movie directors whose work I don’t get (Apatow, Anderson, and Tarantino). There are some writers whose work I don’t get (D’Agata and David Foster Wallace… and Stephenie Meyer). There are some musicians whose work I don’t get (Marley, Dylan, Gaga). And don’t start with painters and sculpturers and poets. Poets are the worst. I’m sorry. I have many poet friends, but seriously, poets are the worst.
What I don’t understand is when people think that writing (or photography or painting or singing or sculpting) is easy and therefore justifies the nonexistent or meager stipend. This is where the arts become nothing more than just a hobby industry. It’s never going to be taken seriously. It’s always going to be something on the side. No one’s life (except for the artist’s) depends on art.
I mean, have you ever heard a medical doctor or a nurse or a pilot being offered a job but there’s no payment but a guarantee of exposure, networking opportunities, and potential employment?
The thing that most people don’t get time and again is that art is not cheap. First of all, there are the basic needs that have to be met: food, shelter, clothes, and in some cases, student loans. A lot of new people in the profession struggle to stay alive and offer something extra in the competition, even if it means undercutting the standard price.
Then there are the tools and equipment. For a writer or a journalist, this means the Internet, a laptop, electricity, books and other research sources. For a make-up artist, this means hundreds of dollars worth of face paint and high-quality brushes. For a photographer, this means expensive DSLR camera(s), expensive lenses, lighting equipment, and a computer with photo processing software. Adobe no longer sells its programs. Everything is now subscription-based with $10 a month for Photoshop and LightRoom in the Photography bundle and $20 a month for individual software such as Illustrator. I can’t even afford to Photoshop the hideous bruises on my arm.
Good writers, good photographers, good art workers of any kind invest in training. They may be talented, but they also need some sort of schooling to sharpen their skills. This training may come in workshops or certification programs or community college or two-year programs or books, but it won’t be free.
You may have read, heard, or even written this kind of complaint before, but here’s another side of the story.
Like millions of other people, especially in Los Angeles, I’m a budding photographer. I have a Nikon DSLR, lenses that are made for low-light conditions because I’m focusing more on performance and social events photography, and photography equipment. I started photographing inanimate objects like my doll and flowers. Then I moved on to animals. Then I started taking pictures of performances and people on the streets. Then I began experimenting with artificial lighting and I had no one to photograph except myself. And that was time consuming, what with setting up the lights, putting on make-up, framing, setting up the timer, posing, then running back to the camera to check if everything was in order, repeat, repeat, repeat.
I realized that I needed a model so I could focus on just being a photographer. So I asked around. I asked my classmates, I asked my dance friends, and some of them were gracious enough to lend their beauty in exchange for the photos that they can use however, whenever, and whichever way the want.
Some of my friends declined for whatever reason, which was also not a big deal.
Meanwhile, I’m also teaching English writing skills to immigrants. This is a weekly volunteer job at the Adult Literacy Center at LA Central Library. I don’t get paid for it, but it feels great to share whatever knowledge I have about writing (and English) to these people and of course to hear their stories and give them a chance to write (and speak).
So, here’s the thing: if you want to do free work, it’s totally up to you, but (as a photographer or writer) you have to remember these things:
I know. You have to start somewhere. We have to start somewhere. That doesn’t mean you need to be a doormat to a company or organization or a person who obviously has the means to pay you but is too cheap to do that, right?
Choose your battles wisely, and remember, we’re in this together.
It was an absolute honor to be selected as one of the Fellowship recipients at this year’s Lambda Literary Foundations Writers Retreat. Here’s a piece about why we need gay clubs in Indonesia.
The stage is drenched in red light. An aerial hoop hangs in the middle of the stage. Bobbie Burlesque has his back to the audience. He’s a steampunk devil, complete with black feathered collar. The snake-tongue end of his black sleeveless tuxedo coat swishes as he swings his hips. Jim Bianco croons in the background, singing about dirty mouths, dirty minds, dirty martini, and sucking on a boy’s thumb.
Bobbie commands the stage. He knows when to look at the audience through those dark, kohl-lined eyes and when to break eye contact. The tuxedo tails are the first to go. He snatches them and throws one to the left, one to the right. The vest is next. He pops it open and reveals a white shirt and a huge red rose attached to the black suspender. It doesn’t take long before the suspender comes undone. Bobbie runs his palms on his torso. He untucks the white shirt and proceeds to peel off his black elbow-length gloves. He takes off the black feathered collar, fans himself with it, and tosses it away before walking to the aerial hoop. With one graceful leap, he hooks his leg and begins to swing upside down from the hoop. His back is to the audience. He unzips the white sleeveless shirt and off it goes. He has one more piece of clothing left, but Bobbie takes his time. And when the moment finally comes, he hooks the cuffs of his striped pants to the top of the aerial hoop and slides down like a serpent sheds his skin. Bobbie poses defiantly. Arms up, legs apart. He grins at his audience. His bedazzled jockstrap sparkles as it catches the light.
“It is stripping,” Bobbie says. “Burlesque tends to be a bit more dramatic and theatrical with more of a story and character development, but i am still taking off my clothes. I am still stripping. I don’t have any negative feelings with the word or title of stripper. And those who do, need to look up the definition of the word again, and come to terms with their inner demons.”
Bobbie hasn’t only come to terms with his inner demons, he’s made friends with them and adopt their various monikers that range from artist, dancer, performer, entertainer, to stripper, sex worker, peeler, burlesquer, and boylesquer. “All titles are beautiful to me,” he says.
The last term, boylesque, is a play on the word burlesque. It was coined in the ’90s by a New York male burlesque performer Tigger! as a way to promote his work, but it caught on. Some male burlesque performers dislike the word, saying that it separates the art form from burlesque, as if burlesque belonged to women only. However, it is, by and large, a woman’s world. Men have been involved in burlesque, but always as a producer, musician, or host.
When Bobbie started performing burlesque in 2006, six years after he’d been producing burlesque shows as well as managing his burlesque troupe, he was the first solo boylesque dancer in Los Angeles. That year, the Burlesque Hall of Fame began allowing men to perform and compete in their annual show.
Bobbie admits to not knowing the exact ratio of female to male burlesque performers, but says there are a few of the mainstream boylesque dancers currently based in Los Angeles. There’s Tito Bonito (originally from Chicago), Vyper Synville (who’s also a belly dancer), and Mr. Snapper (who’s married to the burlesque star Red Snapper). “There are other boylesquers as well, but these performers have actually branched out of performing in only local shows and have been seen in major events, festivals, and shows across the world.”
To some, being a man in female-dominated profession is enough to get attention, but when that novelty ends, it’s going to be difficult to have a sustained career. This is exactly why before he decided to become a professional burlesque performer, he did extensive research that went into all of his performance pieces.
“I truly believe these key factors and guidelines I have developed [through research] and follow, have made me successful in the industry and have allowed me to last as long as I have,” Bobbie says. He admits to have seen male performers come and gone. “They haven’t analyzed the scene and their performance pieces. They just perform what they want to and don’t take into consideration the audience they’re performing for. Yes, perform from your heart and do what you want, but if the audience is unhappy, they won’t come back to see you.”
It’s this dedication and meticulousness that have won him awards, such as Mr. Hollywood Burlesque at the inaugural Hollywood Burlesque Festival and Best Novelty Act at the Texas Burlesque Festival in Austin. His first performance with his aerial hoop (his favorite prop – he always gives him a kiss before their performance) won the Best Novelty/Best Use of a Prop category at the 2013 Texas Burlesque Festival.
“Each piece I create, I will continue to perform it throughout my career. I don’t believe in creating a new act for every show. My performance pieces mean something to me and I spend a lot of time, money, and effort into each one,” Bobbie says.
Burlesque isn’t cheap. There are the tangible items like make-up and costumes (Bobbie only uses Swarovski crystals) and one-of-a-kind props. Then there are various expenses like choreographers, musicians, make-up artists, costumers, and classes. “I think classes and workshops are good to expand your knowledge about the industry and to get different perspectives on the art and learn more ideas, but I believe being a performer is something that goes beyond taking a class. I believe it is something you are born with and a passion you possess all on your own.”
He feels that performers who create acts quickly with little to no rehearsal time, no original or innovative ideas, cheap-looking costumes will produce an act that isn’t polished, and that cheapens the art of burlesque.
Bobbie usually spends up to a year working on an act before debuting it and continues to grow and improve it. His inspiration comes from many aspects in his life: music, art, film, television, theater, mass media, friends, other performers, and even from his dreams. The bottom line of burlesque is stripping down to whatever’s legal in the place, but Bobbie likes to create different personas in each performance.
“I love Dita Von Teese,” Bobbie says. “I’m a lover of classic burlesque, and she definitely embodies the classic style I love as well as being beautiful and glamorous on stage! To me, burlesque is about all the things she does so wonderfully: entertainment, sex appeal, costume, make-up, music, and glamour!”
Dita’s Opium Den performance caused a stir. Other burlesque dancers called her racially insensitive and appropriating a culture, but Bobbie sees this as the beauty of burlesque and stage performance. When it comes to the beauty of different cultures, religions, and backgrounds, with all the various costumes, make-up, and music, he advises to take something and make it larger than life. “As long as your presentation is done to appreciate and honor the culture you are representing in a respectful and beautiful way,” he adds.
One of the main differences between burlesque and gogo-style stripping is the idea of beauty. To many performers, the all-inclusive nature of burlesque gives them confidence, but that doesn’t mean that it’s okay to not take care of one’s appearance.
“I used to be a lot heavier and have more curves with a softer, pudgier stomach when I first started stripping,” Bobbie says, but he’s slimmed down a bit, not only because he joined the circus and became an aerialist, but also because he wanted to have a sexier, more defined body for stage performance. “I was happy and welcomed in the industry with my old body, but I have noticed my audience demographic open up to more people with my change in body type.” Although he believes that a true performer can captivate and seduce an audience with their confidence and stage presence alone, regardless of their body type.
Performing burlesque isn’t Bobbie’s main source of income. Thankfully, he loves every minute of it, from the first budding spark of inspiration for a new act, to the post-performance shower to wash off the glitter. To him, designing and bringing an idea to life is a remarkable feeling.
Each performer has his own guidelines and rules, but Bobbie cheekily declines to answer. “Lots of performers have approached me and asked me about this, but like a prostitute, a magician never reveals his tricks.” He does reveal some of his pet peeves, though.
“I will never have tags sticking out of my costumes, and I will never beg the audience to cheer for me by beckoning them with my fingers. If you have a store-bought costume piece, remove the tags. I don’t need to see the washing instructions. And if you have to ask the audience for a verbal response, you aren’t doing your job.”
It never occurred to me that I’d be making jewelry AND selling it. I always make my own necklaces and wear them myself, but I think it’s time for me to start selling them.
So it’s with great honor that I give you Sarasvati Jewelry & Adornments.
I’m also teaching American Tribal Style® belly dance level 1 classes on Saturdays at 2-3 pm (starting August 16) and Thursdays at 6-7 pm (starting August 21) at Live Arts Los Angeles.
Please refer to this flier for more information, or click here to download the PDF flier.
I am so excited to be joining a team of wonderful people over at TheAndrogynous.net. Not only did the website’s name capture my attention, but I was also thrilled to put my degree to use.
I’m now the resident Assistant Copy Editor of the website, and my first (approved) post is about Angelina Jolie’s Maleficent. So head over there and tell me what you think.
Here’s a sizzling picture of Prince Philip (Brenton Thwaites) to motivate you: